Stilton (1908)

A wonderful image showing Stilton in 1908 and captured by local Stilton photographer John James Nunn. The photographer is standing with the Bell Inn on his immediate left with the Great North Road running left to right and Church Street disappearing into the distance.

Burton’s Farm, Thorney

A 1930s image showing an immaculately turned out farm horse on Burton’s Farm which was on Bell Drove between Thorney and Crowland.

“Bois Roussel” at Peterborough Station

A1 Class #60117 “Bois Roussel” sitting at Peterborough North awaiting departure under Crescent Bridge to Kings Cross. The engine was named after a French racehorse of the same name that won the Epsom Derby in 1938.

Burrows Plate & Nickel Works, Dogsthorpe (1942)

Workers from the Burrows Plate and Nickel Works in Dogsthorpe pictured in 1942. Thanks to Roger Negus who sent this one in and whose grandmother Bessie is third left on the back row.

Burrows were based on Dogsthorpe Road between the junctions with Princes Street and Huntley Grove.

Bridge Over Midland and Great Eastern Railway

Not clear when this superb image dates to but this would be today’s mainline railway bridge crossing over the old Peterborough East to Rugby line (“Nene Valley Railway”). In the background are the LNWR engine sheds at Woodston.

Beatles, Bull Hotel Register (1962)

Two pages from the Bull Hotel “Visitor Book” dated December 1962. The top image shows the four Beatles and the lower image shows manager Brian Epstein.

The Beatles had played at the Embassy Theatre on Broadway on Sunday 2nd December 1962 as one of many supporting acts to a show by Frank Ifield. The show promoter, Arthur Howes, had agreed to let the Beatles play second-up for just ten minutes so that he could “appraise” them for himself ….. and he wouldn’t be paying them either ! They had to miss their show at the Liverpool Cavern Club that night for what was their first ever gig outside of their Mersey base. Headliner Frank Ifield thought their act was very good “in spite of the volume” and he found their personal charm was “infectious”.

Unfortunately, at this particular time they didn’t seem to manage to convey that charisma to the 3,000 strong Peterborough crowd ! The band had been steadily growing their reputation throughout 1962, particularly in the north of England, and the experience taught them that not everyone had yet come under their spell. The Beatles were the second act on stage, closing the first half of the show. The other acts, who were better received, were Susan Cope, Tommy Wallis and Beryl, The Lana Sisters, The Ted Taylor Four, and Frank Ifield. The compère was Joe Black.

After the show, the band stayed overnight at the Bull Hotel – the overnight stop of choice for most Embassy stars. In the Beatles Anthology book, Paul McCartney recalled how the Peterborough gig introduced them to stage make-up, “We were playing the Embassy Cinema at Peterborough late that year, very low on the bill to Frank Ifield and below The Ted Taylor Four as well. Ted had a funny little synth on the end of his piano on which he could play tunes like Sooty. He would use it for Telstar – the audience went wild to hear his synth sound. It was Ted that said, ‘You looked a little pale out there, lads. You should use make-up.’ We asked him how. He said, ‘There’s this pancake stuff, Leichner 27. You can get it from the chemist. Take a little pad and rub it on; it gives you a tan. And put a black line around your eyes and lips.’ We said, ‘That’s a bit dodgy, isn’t it?’ He said, ‘Believe me, they will never see it, and you’ll look good.’ Right afterwards we were being photographed for a poster for Blackpool. They had been bootlegging posters, which meant we were obviously getting quite popular, and the poster company said we should do an official one. So they did four squares – one of us in. each square. And you can see the black line around our. eyes. We never lived it down!”

Images courtesy Omega Auctions